| Book Reviews |
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| The Inscrutable Americans |
| by Anurag Mathur |
| Reviewed by Suseela Ravi |
If you are ever in the mood for a bellyful of laughter, this book which charts the course of a young man bumbling into a small University campus in America is for you. |
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| Four Crises and a Peace Process: American Engagement in S. Asia |
| by P.R. Chari, Pervaiz Iqbal Cheema, and Stephen P. Cohen |
| Reviewed by Sudheer Apte |
Written by three strategy experts on India, Pakistan, and U.S. policy
in South Asia respectively, "Four Crises and a Peace Process" examines
a series of bilateral India-Pakistan crises over the past two
decades, and the role of the United States in each of them. |
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| Power of Full Engagement |
| by Jim Loehr and Tony Schwartz |
| Reviewed by Nandini Pandya |
This is a "how to" book which bridges the gap between our work and home lives. Balancing stress and recovery is critical when it comes to managing energy in all facets of our lives. Emotional depth and resilience depend on active engagement with others and with our own feelings. |
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| Published at this time in prior years ...
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| Movie Reviews |
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| Taare Zameen Par |
| Reviewed by Bhavna |
In Hindi movies children are generally shown to be quite precocious. They seem to have
wisdom, intelligence and maturity far beyond their years. In fact, it would be fair to say that
in most Hindi movies, the children don’t act like children at all.
In a refreshing contrast, this movie’s central character is a child, and one who has to deal
with very challenging situations. This is the debut performance of young Darsheel Safary,
who plays Ishaan. His performance is simply superb. |
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| Om Shanti Om |
| Reviewed by Neha |
From the wonderful juxtaposition of old and new stars to the hilarious Filmfare awards to the awesome fire sequence to the flamboyant fight with a stuffed tiger to Deepika’s well shot dimples to SRK’s glistening abs – one cannot help admiring Farah for the fantastic scenes in OSO. |
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| Aap Ka Suroor |
| Reviewed by Mayuri Sharma |
The music, though immensely hummable when you hear it, is marred by badly picturised songs. I quite liked the sound of 'Aasalaam' and 'Tera mera milna' before I saw the songs performed on screen by a cleavage-popping image of Himesh. The much-hyped 'Mehbooba' number with Mallika Sherawat abruptly appears at the end of the movie, without any explanation, and ends the same way. |
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